We
have a thief among us!
I’ve
often thought that it would have been nice if God had given humans
the ability to look in two different directions at the same time.
Wouldn’t that be great!
We have two eyes. Why
can’t one eye look at one thing and the other something else?
But we can’t. Instead
we must train both eyes on the same object, person, sign, etc.
A
few years ago, I was cast as a policeman in a show.
In that show there was a scene in which my character walked
across the stage, sat down in a chair, poured a glass of wine and
drank it. My character
sat there and drank that wine while the other characters were on the
other side of the stage acting out their scene.
One
night, I sat down and poured my self a drink and noticed a cigar
sitting on the table, (that had always been there).
On this night, I picked up the cigar and smelled it by
dragging it lengthways underneath my nose.
My character thought it smelled good.
I looked over at the other actors who were busy acting out
their scene. They
weren’t looking at me, so I cautiously slipped the cigar in my
pocket, (and then began drinking my glass of wine.)
After the show several people mentioned the cute little thing
I had added. Including
the director. She
really seemed to like that my character was stealing the cigar.
After thinking about it, I decided that unless the director
point blank asked me to, I would “not” do it in any of the
future performances of that show.
Why not? After
all the good comments I got?
Because, although I had taken a cigar, in reality, I had stolen
the scene.
People can only look at one character, (or scene), at a time,
the audience, (or at least a portion of it), had been watching me
and not the scene on the other side of the stage.
Years later I can’t remember what the other characters were
talking about, but I can assure you that the playwright intended for
the audience to watch their scene and listen to their words.
The playwright did not intend for the audience to look away
from the other scene on stage and watch me steal that cigar, (or
that scene).
Now it’s also true that you don’t want a character to
freeze, but they should do something not very noticeable.
Sitting off to the side sipping their drink, or silently
talking to someone, or looking thru a magazine is all fine. But
if it is your job to "not be watched" by the audience,
then don’t make “eye grabbing” motions.
There
will be many times that a character will take a back seat to the
action or dialogue on the stage.
Don’t hesitate to do that.
Take the back seat. Wait
your turn. We’re
actors. By definition I
believe that actors should want to be seen, but do not steal the
scene.
Directors?
Be on the lookout for this.
Always keep in mind where you want the audience’s attention
to be focused. All the
way thru the play you need to be thinking, “Where should the
audience be looking”.
Make
sure your actors understand.
Tell
them, “No scene stealing in church!”